Thefilm got inspiration from Cormac McCarthy’s novel “No Country for Old Men”. The film mainly focuses on three main characters the sheriff Ed Tom Bell, a psychopathic killer Anton Chigurh and a hunter Llewelyn Moss. The setting of the film is the 1980’s Texas (Ebert 1). Llyewelyn Moss one of the main characters in the film is a hunter The Significance of Llewelyn Moss. McCarthy’s No Country for Old Men is a story about survival that focuses on themes of morals, morality, and luck. In many ways, this is a story about how people deal with death. Llewelyn Moss, one of the most significant characters in the novel, emphasizes the underlining theme which is that death comes for Beingtaken place in a Western environment, Texas, the No Country for Old Men’s scene chose starts with a crescendo strings playing legato, following by a light piano. Right after at 00:56, low piano notes are played to give a more serious and dangerous tone to the scene, following by the legato strings playing a lower register than the The rubric No Country For Old Men comes from the verse form Sailing to Byzantium by William Butler Keats which parallels the chief subject of the book of how the modern universe is gyrating out of control towards moral corruptness. This Western Thriller was published by Alfred A. Knopf in 2005. I chose this book because Cormac McCarthy tells an Things really start off after Llewelyn Moss stumbles across a drug deal gone bad in the hills of West Texas. After finding a briefcase containing roughly $2 million in cash (and a hidden tracking Zoom In Analysis will AGREE with this rating Each character's complexity and background could engage a round table discussion for hours. The conclusion of the film immediately urges the viewer to watch it again and the themes of the film take stabs at a new side of darkness that has previously been either unexplored or done without success. m0oo8Q. 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Watch onlineDownload Subtitles Searcher2CD 27/02/ Country for Old Men 2007No Country For Old Men DVDSCR XViD-bald Hearin... Watch onlineDownload Subtitles Searcher2CD 27/02/ Country for Old Men 2007No Country for Old Men[2007]DvDrip[Eng]-FXG HI... Watch onlineDownload Subtitles Searcher1CD 27/02/ Country for Old Men 2007No Country for Old Men[2007]DvDrip[Eng]-FXG He... Watch onlineDownload Subtitles Searcher1CD 27/02/ Country for Old Men 2007 HI ... Watch onlineDownload Subtitles Searcher2CD 27/02/ Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande. In rural Texas, welder and hunter Llewelyn Moss Josh Brolin discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh Javier Bardem, on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sheriff Ed Tom Bell Tommy Lee Jones blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. 1980, West Texas. While out hunting down by the US-Mexico border, good ol' Texas boy Llewelyn Moss, a welder by day who lives in a trailer park in Sanderson with his wife Carla Jean, comes across what is a drug deal gone wrong. What he finds are all the players left at the scene dead or near death and a satchel filled with $2 million which he takes, despite knowing that someone will be looking for the money and is probably willing to kill for it. As such, he not only tries to protect himself in the process of trying to find out who will be after the money, but also Carla Jean by sending her away. A person hired to retrieve the money is Anton Chigurh, who indeed will kill anyone, including innocent bystanders, necessary to get to his end goal, with a high pressure air pistol his weapon of choice especially as it leaves no bullet as evidence. Chigurh, in deciding who should live or die in his day to day life, also uses his own psychopathic set of principles. Chirgurh quickly learns that Moss has the money and is on the run. Also on both their trails is Terrell County Sheriff Ed Tom Bell and his naive deputy Wendell. Bell, a third generation sheriff, has of late contemplated his professional future solely because of the notion that he and his like have not been able to do anything to control the increasing violence of the region. Bell finds evidence that Moss has the money and that someone, who has left a trail of carnage behind him, is after Moss and the money. As such, Bell tries to find Moss solely to protect him from whoever is after him. One other person added to the mix is Carson Wells, hired by the same person that hired Chigurh also to retrieve the money, as their employer feels that Chigurh has gotten out of control. Wells knows Chigurh well and knows that he will not take too kindly to anyone else brought in on his job. In the desert of Rio Grande, a drug deal goes wrong and Llewellyn Moss, the welder, finds 2 million dollars in a box. He keeps the money for himself but an unemotional psychopathic killer Chigurh chases him. He kills everyone that comes in front of him to get the welder, using a unique weapon of his own. By this time the elderly sheriff Ed Tom tries to go through and to as deed as possible of the matter. After stumbling across a case of money among dead bodies, Llewelyn Moss Josh Brolin thinks he can keep it quiet, but when silent killer Anton Chigurh Javier Bardem locates Moss and his money, Vietnam veteran Moss makes a run for it. With bodies falling everywhere Anton goes, it's only a matter of time before he catches up with Llewelyn. Whilst all this is going on, Sheriff Ed Tom Bell Tommy Lee Jones is overseeing the investigation and begins to see the country in a dighway, Anton Chigurh Javier Bardem is arrested by a deputy Zach Hopkins. They return to the empty police station, where the deputy calls Sheriff Bell. He tells the Sheriff about an odd device in Chigurh's possession a captive bolt pistol. The deputy thinks it may be an oxygen tank, but it is actually a device used to kill cattle in the slaughter house. The deputy has his back to Chigurh, who sneaks up behind him and just as the deputy hangs up the phone, uses the handcuff chain to garrote the deputy. After cleaning himself up in the station bathroom, Chigurh steals a squad car and once on a desert highway, uses the car's lights and siren to stop a random motorist Chip Love driving a Ford politely asks the man to step out of the car. Chigurh then asks the man to hold still and presses the captive bolt pistol attached to the compressed air tank against the puzzled driver's forehead. He squeezes the trigger and it fires the bolt into the man's skull, killing him. Chigurh drives off in the man's in the desert, Llewelyn Moss Josh Brolin is hunting pronghorns. Setting the sights of his hunting rifle on one, he fires, scattering the animals. Walking to where the herd stood, he notices a trail of blood. Realizing the pronghorn left in a different direction from the blood trail, he spies a wounded pit bull hobbling away. Retracing the dog's trail, Moss eventually comes upon several pickup trucks parked in the middle of the wilderness. Mexican criminals and pit bulls lie dead on the ground; only a mortally wounded driver remains driver begs Moss for agua, but Moss says that he has no water. Moss asks the man where the "last man standing" - the winner - is, but doesn't get an answer. He carefully takes the man's submachine gun off the seat and a magazine from his shirt pocket. Under a tarp in the bed of one pickup, Moss sees what appears to be a great deal of tracks the only criminal to have escaped the shootout to a tree where he finds the man has died. He finds a large catalog case filled with two million dollars and a .45 caliber pistol. He takes the money and gun. He returns home where he hides the submachine gun under his mobile home. His wife Carla Jean Kelly Macdonald is irritated that he has been gone all day and he refuses to tell her where he found the pistol and catalog case. She asks him what's in the case but doesn't believe him when he off-handedly tells her it's full of night, Moss guiltily wakes up, deciding that he should take water to the wounded driver. He arrives around dawn and parks a short distance away on a rise. He carries a gallon of water to the scene of the shootout, but discovers that the wounded man has been killed by a shotgun round to his back to where he'd parked his pickup truck atop the rise, Moss dimly sees in the predawn light another truck now parked alongside his. Two men get out and appear to slash his truck's tires. He tries to hide behind under one of the trucks, but is fired upon by the men who are now approaching in their truck, using bright gunmen appear, disable his truck and fire on him, hitting him in the shoulder. Moss flees with the pickup pursuing him, but is hit in the shoulder by a shotgun round just as he reaches a river embankment. As Moss tumbles towards the river with dawn breaking, the two men, apparently Mexicans, send a pit bull after him. Evading continued gunfire, Moss dives into the river and swims downstream, eventually crossing to the other side with the pit bull gaining on him. On the opposite bank, Moss frantically ejects an empty shell from the .45, reloads the gun, and kills the dog at the moment it leaps at bandages his wounds, realizing he is facing dangerous individuals. He returns home and sends Carla Jean to stay with her mother in Odessa while he travels separately with the filling up at a gas station in the dead man's Ford, Chigurh goes to pay for some candy from the gas proprietor Gene Jones. The proprietor tries to make polite conversation out of simple friendliness, but Chigurh is upset at the inane small talk, and the owner finds himself in a strange, tense confrontation. The man is genuinely perplexed by his customer's anxiety, and tries to defuse the argument by saying he needs to close the station, which only further irritates Chigurh due to it being still midday. Chigurh requires him to call the flip of coin to decide whether the man is to win everything, apparently whether the man will live or die. The clerk guesses heads and Chigurh gives the man the coin. He tells him not to mix it with any other that night, two well-dressed men take Chigurh to the site of the failed drug deal. He removes the VIN tag from Moss's truck door and examines the corpses. The well-dressed men give him a tracking device on which they said they're getting "not a bleep." that he can use to find the catalog case of money, which has a transponder hidden in it, although it has not received any signals. Chigurh picks up a pistol laying next to one dead men and kills both of following morning, Sheriff Bell Tommy Lee Jones and Deputy Wendell Garret Dillahunt respond to a report of a burning car, and recognize the Ford belonging to the dead motorist. They follow tire tracks to the shoot out site, where Sheriff Bell recognizes Moss's truck. He and Wendell carefully look over the scene and then decide to call in federal authorities. The heroin is gone from the back of the appears at Moss and Carla Jean's trailer and uses the captive bolt pistol to break the lock. The trailer is empty but hurriedly vacated, but he finds in the unopened mail a phone bill that reveals the couple has made a lot of calls to Odessa, TX. He tries to intimidate the trailer park manager Kathy Lamkin into revealing where Moss works and seems to contemplate killing her, but when he hears noise in the adjacent room, puts his wife on a bus and reassures her that he will call her in a couple of days. He takes a cab from the bus station to a motel, where he rents a room and hides the money case deep in the HVAC duct using the clothes bar from a closet. Moss leaves the hotel and buys boots and socks. Moss takes a cab back to his motel but a truck parked near his room makes him suspicious and he directs the driver to take him to another meanwhile calls numbers on the phone bill to try to figure out where Moss is headed. He then begins driving, trying to anticipate where Moss is next morning Moss purchases a tent for its poles, duct tape, wire cutters, and a 12 gauge shotgun and ammo at a local sporting goods store. He returns to the second hotel room, where he saws off the shotgun barrel and stock. He returns to his first hotel and rents a second room immediately behind his first room. It shares the HVAC duct with his first room. In the second room, he uses the tent poles, duct tape, and coat hangers to fashion a hook that he uses to retrieve the catalog case full of money from the HVAC is driving past the motel when the tracking device goes off. He finds the motel, and by the frequency of its beeping he deduces which room the signal is coming from, Moss's first room. Chigurh rents a room and takes off his boots so he can quietly walk up to the room where the signal is coming from. He uses his captive bolt pistol to break into the room. Chigurh finds three Mexicans in the room and kills them with a suppressed shotgun. The Mexicans' gunfire alerts Moss in the opposite room. Chigurh searches the room for the case, finally noticing the HVAC duct. He opens it to see the tracks where the case was dragged. Moss escapes into the dark with the money and hitchhikes out of the area. The driver Mathew Greer who picks him up tells him he shouldn't be hitch-hiking because it's next day, in a high-rise office building in Dallas, a bounty hunter named Carson Wells Woody Harrelson arrives in a businessman's Stephen Root large office. The businessman is upset about the many killings perpetrated by Chigurh. He wants Wells to contain the situation. Wells tells the businessman that he has had past dealings with Chigurh and would know him by sight. Wells also compares Chigurh to the bubonic plague and calls him a psychopathic killer. The businessman hires Wells to control the "situation" with Chigurh and to retrieve the a border town, Moss rents a room in an older, rundown multistory hotel. Unable to sleep, he is apparently trying to figure out how Chigurh tracked him down to the previous motel. He searches the case and finds the transponder that Chigurh has been using to find him. He hears suspicious noises and calls the clerk who had checked him in at the front desk. The clerk Marc Miles had told Moss he'd be on until the next morning at 10 but he doesn't answer. He sees the shadow of feet under his door, but then the hall lights go dark. Chigurh shoots out the lock with the captive bolt pistol, hitting Moss, who fires his shotgun into the door. Moss then drops the case out the second story window and follows it. Chigurh shoots at him from the window but misses. Moss is wounded in the side by the door stops a pick-up truck driver Luce Rains and tells him to drive him out of there, but Chigurh kills the driver. Moss ducks down and drives the truck around a corner, crashing into a vehicle. He hides behind a nearby car, watching in a store window for whoever is following him. He shoots and wounds Chigurh. Wounded himself, Moss drives the pick-up to the nearby Rio Grande where he buys a jacket from some passing youths on the border bridge, and he also tosses the money case into some brush along the bank. He covers his bloody shirt with the jacket and, posing as a "drunk Mexican" waves the bottle of beer drunkenly at the half-sleeping Mexican border guard as he stumbles past to cross over into Mexico; the sleepy guard is unconcerned with his identity. In the morning he is awakened by members of a Norteño Band who he pays to take him to a Bell continues to be disturbed by what he saw in the desert and the apparently deteriorating state of morals in the world. He goes to visit Carla Jean in Odessa and asks her to put him in touch with her husband. Almost absentmindedly, he tells her how a local farmer was nearly killed by an animal he was trying to slaughter, and how slaughterhouses now used compressed air guns to kill cattle immediately. In the border town, Chigurh, wounded in the thigh by a buckshot round, sets a car on fire as a diversion and nonchalantly steals medical supplies. In a motel room, he cuts off his pants and treats his visits Moss in the Mexican hospital and suggests that he just hand over the money so Carson can protect him. Moss refuses and Carson tells him in which hotel he is staying. On the way back across the border, Carson sees the catalog case from the bridge. Back at his hotel, the same one at which Moss was staying, Carson is confronted by Chigurh. Carson tries to strike a deal with Chigurh for his life but when the phone rings, Chigurh kills him. Moss is on the phone, and Chigurh tells him that if he brings him the money, he won't kill his wife, though he can't do the same for Moss. Chigurh lets Moss know that he knows exactly where he is and, instead of coming to kill him in the hospital, he is going to go to Carla Jean's mother's house. Moss tells Chigurh he will kill him then hangs leaves the hospital and retrieves the case. He calls Carla Jean at her mother's in Odessa and tells her to fly to El Paso to meet him. Chigurh meanwhile goes to Dallas where he kills the businessman for hiring not only Carson but the Mexicans as well. His truck breaks down and a chicken farmer Chris Warner with a flatbed full of chicken cages stops to help. Chigurh asks where the nearest airport is. The farmer names El Paso, and Chigurh asks him if the chicken cages can be removed from the truck. Sometime later he is washing the chicken feathers off the back of the truck at a car Mexicans who have been watching Carla Jean in Odessa follow her and her mother Beth Grant to the airport. One of the Mexicans helps her mother with her luggage and she tells him she and Carla Jean are going to El Paso. The Mexican asks her what hotel she and her mother are staying at, so as to figure out Moss's location, and she tells him. In the airport, Carla Jean calls Sheriff Bell and tells him where Moss is staying in El Paso. At the hotel, a woman Ana Reeder sun-bathing by the pool flirts with Moss. She invites him to her room for beer, but he says that he's married and that he knows what beer leads to, and declines her Bell is driving up to Moss's motel when he hears automatic gunfire and sees a pickup truck speeding off. At the motel, Sheriff Bell sees a large number of empty shell casings on the ground by the pool, where a woman is floating dead. He then sees Llewelyn Moss dead in the open doorway of his room. The money case is Sheriff Bell can do is comfort Carla Jean when she arrives. Later that night, Sheriff Bell and the local sheriff Rodger Boyce have coffee and bemoan the declining morals of American society. Afterward, Sheriff Bell returns to the motel and nearly misses being killed by Chigurh who had been searching the room for the money Bell visits his uncle, Ellis Barry Corbin to tell him he's retiring because he is too disturbed by the violence he's seen. Ellis tells him he's being vain and relates the story about how Sheriff Bell's grandfather had died shot by 8 outlaws, he bled to death in his wife's arms on his front porch as they watched. Meanwhile, Chigurh visits Carla Jean, who has just buried her mother. She understands why he's there but still finds it meaningless. Chigurh flips a coin but Carla Jean refuses to play his game. Carla Jean dismisses Chigurh's game, saying that he's the one who decides on whether or not to kill her, not the coin. He is unmoved, however, insisting on his lack of a free choice in the matter. During this exchange, we see two boys ride past the house on bicycles. Chigurh leaves the house and stops to check his boots, apparently for off, he is looking at the same two boys in the rear view mirror when he's struck broadside by a car speeding through the intersection. Chigurh gets out of his car, his arm bone protruding out of his elbow. The two neighborhood boys come up to him to see if he's all right. Chigurh pays one of the kids for his shirt, which he uses to make a sling for his arm, and he asks them to tell the authorities that he had already left. Chigurh limps away down the Sheriff Bell's house, the sheriff ponders what to do for the day at breakfast with his wife, Loretta Tess Harper; he is restless in retirement, but she rebuffs his offer to help out around the house, as he will just throw off her established routine. He recounts a dream he had about his sheriff father. Bell dreamed that he and his father were riding a mountain pass in the night. His father, carrying a horn with embers inside that glowed like moonlight, rode ahead into the darkness and disappeared. Though he couldn't see anything in the dark night, Bell dreamed that he kept riding forward since his father would have a warm fire waiting for him. Is It Any Good? The desolate landscape and moral layout evoke old Westerns, but the film also reconsiders that genre's conventions, suggesting comparisons between now and "the old times." So while Ed Tom follows clues and questions witnesses - including Lleweleyn's wise, forgiving young wife Carla Jean Kelly Macdonald - he's always a slight step behind his prey, recognizing Anton's extreme iniquity even before Llewelyn does. Though the war vet and the killer do match wits for some time in some deliciously tense, beautifully shot cat-and-mouse scenes, the sheriff knows that in a showdown, decency can't keep up with depravity. Smart and compelling throughout, the film includes some stunning set-pieces, including a scene in which Llewelyn runs up a shallow river away from a ferocious hunting dog the two shapes bobbing as they try to muster speed against the current is a sight you won't soon forget, and another in which he sits in a dark hotel room, shotgun on his lap, waiting for Anton's arrival. As a smooth-talking bounty hunter named Carson Wells, Woody Harrelson provides a few moments of welcome off-rhythm distance from Anton and Llewelyn's contest, but their intense focus on each other is overwhelming, even leading to a confrontation between Anton and Carla Jean, who refuses to participate in the coin-flip he offers. "The coin don't have no say," she says, eyeing him darkly. "It's just you." Andin the end, it is just Anton, his bizarre, amoral meanness emblematic of the changes that Ed Tom perceives. Whether these changes are a function of his own aging, altered perspective, or a kind of national psychic shift, the film leaves for you to figure. -Sen sıcak yatağında yaşlı bir kadın olarak öleceksin Rose. Şimdi değil, burada değil... bana söz ver. Yukarıdan da anlaşılacağı gibi tam bir dramatik aşk filmi. Ama tabi ki bu kadarla kalmıyor tüm zamanların en iyi filmlerinden biri olarak gösterilen ve dönemin ödüllerini silip süpüren Titanic. 1900'lü yılların başında dönemin en iyi gemisi olarak inşa edilen Titanic'in başına geleni artık hepimiz biliyoruz. Zaten filmde bu gemideki bir aşk hikayesini olay ile iç içe işliyor. Tüm bunların dışında bizi 1900'lerin başına götüren film, Avrupa'nın toplumsal yapısını,iç dinamiklerini gözler önüne sermesi açısından da çok önemli bir eser. Yalnızca bir aşk filmi değil😉 Sınıf farkı her ayrıntısına kadar gösterilmiş. Gemi içerisindeki paylaşılan alanlardan tutunda giyim tarzına tavra kadar her nokta hassas bir şekilde işlenmiş. Kazan dairesinde çalışan işçiler, daha az korunaksız bölmelerde yolculuk eden ucuz biletli yolcular, kültürel farklılıkların eğlence anlayışına yansıma gibi detaylar, hem döneme ışık tutuyor hem hak, hukuk adalet ve yaşam statüleri hakkında bir portre çiziyor. Teknolojinin getirdiği gözü karalığı ve lükse yatırımı hiç saymıyorum. Ki bu geminin batmasının sebeplerinden biri. Ve geminin batış anında gelişen olaylar filikalara önce zenginlerin alınması, bu dehşet anında bir annenin korkan çocuklarına kendilerine sıra gelinceye kadar çaresizce hikaye anlatması, müzisyenlerin hala müziğe devam etmesi gibi ayrıntılara bakıldığında tarih ve duygu kokan bir film. Ki gerçekte filikalara binen yolcular diğer yolcuların çığlığını duymamak için şarkı söyleyip alkışla tempo tutuyorlardı. Yardım da en son akla gelen kazan dairesinde ki işçilerdi. İşte Avrupa medeniyetinin küçük bir minyatürü olan Titanic böyle manzaralara sahne oldu. Şimdi oturup Titanic filmini dönemin toplumsal, ekonomik ve ahlaki yapısını anlamak için izlediğimizde daha manalı bir film olduğu gerçeği ile karşılaşırız. Filmi bir kez daha izlemeniz dileği ile Hoş çakalın. Interesting plot that goes at a nice, steady pace, with some captivating performances by Tommy Lee Jones and Javier Bardem. Thought the ending was total bollocks though and kinda left me feeling a bit i've always been attracted to the image of the mythical america often portrayed in traditional western films. gunslinging, desert-roaming cowboys standing off in a classic shootout. the image may change slightly depending on the time, but the overall aesthetic and premise stays the same. in "no country for old men", cowboys and gunslingers are replaced by hunters and hitmen, and the pickup truck is the favoured mode of transport. it follows the traditional method to a tee, but at the same time subverts it and flips it on its own head. the hero and the villain are present, the standoff is constantly impending, we get a glimpse of what's to come in one of the greatest film scenes ever, and then it... never comes. it should be frustrating, but it's brilliant, alluding to the invisible hand of fate that arches over the whole thing. anton chigurh is one of the most terrifying antagonists i've ever seen, right up to the abominable haircut. he acts a slow moving beast that is completely and utterly confident that he will get the kill he is after; cold and calculated in his every move. even when he is bleeding from a shotgun wound to the leg, he doesn't emote or express pain. in fact, the only time he ever displays disgust is when marriage is brought up. at times, he's not even visible, but still just as vicious and still just as much of a other invisible hand that is always there is change, represented by ed tom bell, the sheriff who sees that the world is speeding right on by past him; "i'm not on their radio." the weapons and the violence are impossible to conceive, and the traditions are falling and dying slowly and surely. what can stop it? not much, all that's left to do is to sit and watch it roll by as you come to terms with the place in time that you reside in as you slow down and settle adore this movie. i love the sound design and the lack of a soundtrack, i love the scenery, i love the southern accents, i love the dialogue. i love that this film tells you that even if you do everything that you can, change and chance can always play their devillish hands, and it either works for you or it doesn't. an all time Anton Chigurh, sullen and strange, is the vengeful ghost of John Calvin, casting his shadow over the South like a revival tent. He wants nothing, absolutely nothing– which is, of course, the fundamental building block of the world. Cormac McCarthy said that “Chigurh” has no real etymology, that he thought it up at random and thought it fit the character. As tends to happen, meaning in language fits phonetics. “Chigurh” means nothing, which is the point– and it sounds, to me, like an onomatopoeia for the screeching of gears in some broken engine. Anton, spirit of the world as a machine damaged beyond repair, spins in the outrage of having been created to serve so senseless a schematic, stripping every gear around him just because he exists. It’s no country for old men not because old men can’t survive there, but because survival simply doesn’t The most nail-biting thriller I've ever seen almost ruined by an ending that just fizzles out without really going anywhere. Yeah, I get that it's symbolic and philosophical and all that jazz, but I think it's a shameful copout for a movie to establish itself as an uncompromisingly violent thriller and then just sort of... end... without much of a really worth the watch. Endlessly quotable, just like Lebowski. "What's the most you've ever lost in a coin toss?"Published I don't get off so much on all the philosophy behind all of this; for me, this movie is about a man that wins by sticking to his morals. He also happens to be the villain. Which sucks. And I hated it. But it was so well done. Damn Banger9/10 amazing movie and the symbolic plot is relatable and makes it a 10Published “No Country for Old Men” is a simple but carefully constructed cat and mouse thriller. It puts aside the goofiness and over-the-top dialogues that made the Coen Brothers famous to instead deliver raw violence and nail-biting suspense, with the complete lack of music constantly emphasizing the gritty and tense atmosphere. The snowy plains of “Fargo” are replaced with the gritty desert landscapes of Texas, the inept criminals give space to cold-blooded professionals, the cops are worn out by age and always one step behind. In the end, it’s not important who dies and who lives, as the plot is just a way like another to underline the profound resignation of a tired sheriff who can’t understand the ages he lives in anymore. I don’t think there’s so much worthy philosophy behind it, but it’s still a perfectly packaged thriller with great cinematography and a notable cast, particularly Josh Brolin as the resourceful redneck and Javier Bardem as the henchman with the ugliest haircut felt like the entirety of this movie was trying so hard to depict bardem as the calculated psychopath he was playing, but in each of his scenes I mostly had an overarching sense of “is that it?”. perhaps it’s just all about expectation. through all the nonsensical gory violence, nihilistic/existential americana, inescapability of life/death and general lack of humanity; themes that are not only heavily present in this movie but scattered throughout the coens’ filmography, I felt that No Country For Old Men was rather hollow. it offers nothing to me. at its core, it feels empty of anything worth talking about. at least for me. on the surface, I can appreciate the shades of morality manifested through the composition of each of the main characters and what each of those represent in the larger context of AMERICA and its moral fabric, but it had me constantly wanting more. I wanted to know so much more about these people, from the most hopeless to the most inhumane, but the general motif of this movie felt like a constrictor to any true sense of deeper characterisation. people would pop in and out with their singularities but with an inability to create a coherent thread through them. maybe it’s the source material, maybe it’s the coens. but it felt more limiting the more it tried sucking you into its decrepit world. in a way where I could just never fully engage. so when it ends i’m provoked with a feeling of appreciation but not much else. like other coen “classics” such as fargo and big lebowski, by its conclusion i’m left merely appreciative for what the movie was, rather than actually loving it and considering it a classic. but maybe the real and more human reason that I didn’t care much for this was just because I was bored. from the procedural, to the chase. nothing really captured my attention and devotion as much as i’d hoped it would. i know what they were going for with the slow pace, but this would’ve really benefitted from a badass score, as shallow as it may sound. i’m a sucker for slow paced movies with purpose, but after the gas station sequence i was basically like “ok i get it” and that’s all. it is what it is Ÿ¤Ÿ»‍♂️ I can now join the small group of people who believe There Will Be Blood should’ve won over this. justice for Votes are used to help determine the most interesting content on RYM. 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no country for old men analiz